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“House Party” (MPAA rated R for language) is jazzy, sassy, dense with hip-hop hip and corny gags. The Hudlins take us right into their world, catch the feel of kids at loose ends, hot to trot on a balmy night. What began with Chill pressing Kid to show him a particular maneuver turned into the scene that defined the entire movie. It’s impromptu, transitioning quickly from a sequestered kitchen exchange to the heart of the party. The scene pits Kid ’n Play’s brash, free-form style against Campbell and Johnson’s fluid, Soul Train–esque method.
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House Party 2023 vs. 1990: Which Movie Is Better?.
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Walter Emanuel Jones
It was a household, they recall, where academics were valued and emphasized. Clearly enjoying their sudden attention in the movie-making capital, they’re nonetheless aware of the realities. During a week in which they had 10 meetings and met a couple dozen executives, Warrington notes, “Only one time was there a black person on the other side of the table.
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She put “House Party” into the development hopper, with Gerald T. Olson assigned as executive producer. Last year, the organization celebrated its 10th year, claimed 1,500 members, and continues to hold monthly screenings of new, black-themed films (“Limited only by budget,” Warrington says, “but not by imagination”). Black Face, the group’s semi-annual journal of criticism and thought on black film, first appeared in January. The Hudlins would like to make films with content derived from personal experience, something their white colleagues have always taken for granted. First and foremost, that means the chance to make truly black films. While the Hollywood Establishment has been paying increasing attention to black subject matter--”Mississippi Burning,” “Cry Freedom!
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After meeting Reid in a New York City club and bumping into him a few more times, Hudlin eventually got him to read the script. “It was kind of my job in the crew to read stuff,” says Reid. “When you’ve got rap kingpins like Run-DMC doing a movie that a lot of people don’t remember or know like Tougher Than Leather, I was like, ‘If those guys can’t do a movie, then who are we to think we could achieve such a thing? The mythology surrounding King James looms large over this film, as not only a producer and co-star in the film, but especially because the movie’s premise revolves around a rowdy house party thrown in James’ L.A.
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To their credit, the girls, Sidney (Tisha Campbell) and Sharane (A.J. Johnson), look at times like they almost believe him. In matters of romance, teenage boys can take themselves so dreadfully seriously that Kid must come as a change-of-pace. He manages to get out of another scrape with Stab and his brothers, and they all end up in a jail cell. Kid entertains the rest of the men in the cell by rapping, distracting them long enough for Play, Sharane, Bilal, and Sydney to arrive and bail him out. After Play and Bilal drop him off, Kid sneaks in the house and gets undressed. As he is about to get into bed, he looks up to find Pop holding a belt as he prepares to spank him.
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While white executives at the time may have brushed House Party off because it seemed too impractical to succeed, there’s now entire generations who grew up on the movie. “I was in Atlanta a few years ago and this little girl, like 6 years old, ran up on me,” he says. “She said, ‘You got a whoopin’ from your pops.’ I was like, ‘How’d you know I got a whoopin’ from my pops? ’ She said, ‘My auntie watches that movie all the time.’ They’re passing it down.” George still enjoys reciting his signature lines. “Thirty years later, I’m still saying, ‘I’m gonna kick your fuckin’ assss,’ because people are still asking me to say it all the time,” he says with proud laughter.
“They’re my homegirls, but we smoked them.” (Neither Campbell nor Johnson could be reached for comment.) All parties brought their A-game, so the audience is the true winner. Set in the urban heartland somewhere between Los Angeles and New York, the story follows a rap-writing teen-ager named Kid, grounded by his strict but loving father, as he sneaks out of the house to attend a party being thrown by his best buddy, Play. Getting to the party safely, connecting romantically, singing his latest rap song and sneaking home without getting caught forms the basic plot. While their movie, “House Party,” due for release Friday, is essentially a lightweight teen comedy, it’s a quintessentially black teen comedy. The second film (1991) sets Kid, now living with Play after his father died (as Harris had died not long after finishing the first movie) off to college thanks to some charity of his local church. This is much to the chagrin of his friend who wants Kid to go into music with him after they got the attention of a record producer.
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‘House Party’ Review: The Bubblegum Hip-Hop ’90s Comedy Classic Gets Remade Without the Joy - Variety
‘House Party’ Review: The Bubblegum Hip-Hop ’90s Comedy Classic Gets Remade Without the Joy.
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“They were going from their houses, to their cars, to their screening rooms, to their offices and back, so there was no real understanding of this emerging thrum of culture,” she says. To remedy this, Grillo sent a copy of House Party’s script along with a xeroxed copy of an article detailing the rise of hip-hop to New Line’s Los Angeles office. The gimmick worked, and in 1988, New Line officially agreed to fund the production of House Party. As everyone’s favorite party guest, perhaps it should come as no surprise that Snoop Dogg would make a cameo in House Party. The Doggfather appears in a scene where LeBron, after registering the surprise of a house party at his home during his absence, admonishes Snoop for smoking indoors.
Due to poor marketing and immensely negative reviews, the film’s underperformance at the box office has effectively ended the series for good. After that film was poorly received and flopped in sales, the series supposedly fell by the wayside and was thought finished. But much to many a surprise, a fifth film, Tonight's The Night, was released in 2013. A legacy sequel to the ‘90s trilogy, this film instead features new characters and follows the protagonist Chris (Tequan Richmond) finishing high school but will end up leaving his best friend and crush.
Billionaire tech entrepreneur Mark Cuban appears as himself in a scene that pokes fun at the myth of the Illuminati. In the film, Kid Cudi’s character takes Kevin and Damon to another party, this one thrown by the Illuminati, where Kevin attempts to pitch Cuban, Shark Tank-style, while mingling with other guests. House Party is a light, entertaining teen comedy with an infectious energy. The film received seven nominations at the 1991 Independent Spirit Awards.[15] Film director Reginald Hudlin was nominated for Best Director), Christopher "Kid" Reid was nominated for Best Male Lead), Tisha Campbell and A.J. Johnson were both nominated for Best Supporting Female), Robin Harris was nominated for Best Supporting Male), and the film's cinematographer Peter Deming was nominated for the Best Cinematography.
After hearing Kevin’s beats play at the party, Big Sean hires him to produce beats for his music, ensuring that Kevin can provide for himself and his daughter. In one of the wackier scenes during the party, Lena Waithe, playing herself, is spotted in the pool house of James’ mansion, where she brainstorms ideas for a new project while smoking weed with a koala bear. While the scene is understandably absurd, we’d welcome seeing her stoned pitch come to fruition.
“House Party” has some lapses and offenses--including a jail scene where Kid fends off potential rapists with a nervous impromptu rap about AIDS, Rock Hudson and Liberace. There’s an interlude at a pool-side party with local black bourgeoisie, which doesn’t work as social commentary, music criticism or comedy. And it seems strange to hear Harris’ Pops wandering around muttering about curfews when he knows Kid has snuck off. Full Force completely rewrote their characters’ dialogue (adding their catchphrases, of course) so they didn’t come across like the archetypal bullies Brian “B-Fine” George and Paul “Paul Anthony” George played in Krush Groove. “I said look, if [the Hudlin brothers] don’t like it, I’ll go back to the original script—as boring and bland as it may be,” George remembers, explaining how he improvised to make the trio feel three-dimensional.
He lives with his father (Robin Harris), a gruff but lovable disciplinarian who doesn't want to seem unreasonable but does believe a kid should do his homework before partying at night. Crashing the reunion, Kid has the DJ scratch and mix a few of his old doo wop records so that he can liven the party with a rap, until Stab and the others arrive. Kid and the bullies are caught by the neighborhood police, who humiliate the teenagers before letting them go. Kid's father is stopped and harassed by the police while trying to find him. At the very beginning of the movie, kids dance inside of a house, and the noise is so loud that it blows the roof off. Though at times crude and raunchy, “House Party” makes a point of dealing with issues of sexual responsibility, teen-age drinking, male-female relationships and family values.
It is currently unknown if Kid 'n Play will appear in the film; however, rapper Drake could possibly appear along with a cameo by James. "We’re trying out some ideas for musicians to be cast in and to be a part of the project," Carter said.[16] Los Angeles filmmaker Calmatic, known for directing "Old Town Road", was tapped to direct in 2019. In April 2021, Jorge Lendeborg Jr. and Tosin Cole were cast in the lead roles.[17] This would be SpringHill's last feature film. On July 28, 2021, Jacob Latimore was cast to replace Lendeborg Jr., who dropped out of the film due to his mental well-being.
Young Fly is more than game to play him as a freaked-out flake. He might be wearing a T-shirt that says “Comic Relief.” Yet the script, by Jamal Olori and Stephen Glover, doesn’t give him lines that crackle and catch fire. But too much of this plays rather rotely, without the verve the film keeps promising. There’s a perfect callback to the song that inspired House Party, “Bad Boy/Having a Party,” at the very beginning of the film. There’s the rap battle where Kid gets to shine, and for which Reid wrote both his and Martin’s lyrics (“Reggie used to tell me, ‘You’re supposed to win, but let’s get there in a certain way,’” he recalls).
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